genocide-museum-bangladesh

āĻŦāĻŋāϟāϘāϰ āĻ—āĻŖāĻšāĻ¤ā§āϝāĻž, āĻŦā§āϰāĻžāĻŽā§āĻŽāύāĻŦāĻžāĻĄāĻŧāĻŋāϝāĻŧāĻž

āĻŦā§āϰāĻžāĻ•ā§āώāĻŖāĻŦāĻžāĻĄāĻŧāĻŋāϝāĻŧāĻž āĻœā§‡āϞāĻžāϰ āϏāϰāĻžāχāϞ āωāĻĒāĻœā§‡āϞāĻžāϰ āĻŦāĻŋāϟāϘāϰ āĻ—ā§āϰāĻžāĻŽā§‡ āĻ—āĻŖāĻšāĻ¤ā§āϝāĻž āϏāĻ‚āϘāϟāĻŋāϤ āĻšāϝāĻŧ ⧧⧝⧭⧧ āϏāĻžāϞ⧇āϰ ā§Šā§§ āĻ…āĻ•ā§āĻŸā§‹āĻŦāϰāĨ¤ āĻāχ āĻĻāĻŋāύ āϏāĻ•āĻžāϞ⧇ āĻŦā§āϰāĻžāĻ•ā§āώāĻŖāĻŦāĻžāĻĄāĻŧāĻŋāϝāĻŧāĻž āϏāĻĻāϰ āĻ“ āφāĻļ⧁āĻ—āĻžā§āϜ āĻĨ⧇āϕ⧇ āφāϏāĻž āĻĻ⧁āχ āĻļāϤāĻžāϧāĻŋāĻ• āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύāĻŋ āϏ⧈āĻ¨ā§āϝ āĻŦāĻŋāϟāϘāϰ āĻ—ā§āϰāĻžāĻŽāϟāĻŋāϕ⧇ āϘāĻŋāϰ⧇ āĻĢ⧇āϞ⧇āĨ¤ āĻĒāĻžāĻ• āĻšāĻžāύāĻžāĻĻāĻžāϰ āĻŦāĻžāĻšāĻŋāύ⧀ āϏāϰāĻžāχāϞ āĻĨ⧇āϕ⧇ āĻĒāĻžāϝāĻŧ⧇ āĻšā§‡āρāĻŸā§‡ āĻāĻŦāĻ‚ āϜāĻžāĻĢāϰ āύāĻĻā§€ āĻĻāĻŋāϝāĻŧ⧇ āύ⧌āĻ•āĻžāϝāĻŧ āĻ—ā§āϰāĻžāĻŽā§‡ āĻĒā§āϰāĻŦ⧇āĻļ āĻ•āϰ⧇āĨ¤ āϰāĻžāϜāĻžāĻ•āĻžāϰāĻĻ⧇āϰ āϏāĻšāĻžāϝāĻŧāϤāĻžāϝāĻŧ āϤāĻžāϰāĻž āϘāϰ⧇ āϘāϰ⧇

āĻŽā§āĻ•ā§āϤāĻŋāϝ⧁āĻĻā§āϧ⧇ āĻ•āϞāĻ•āĻžāϤāĻžāϝāĻŧ āϏāĻŽā§āĻĒā§āϰ⧀āϤāĻŋ āĻ“ āϏāĻ‚āĻšāϤāĻŋāϰ āφāĻ¨ā§āĻĻā§‹āϞāύ by Dilip Chakrabarti

āĻŦāĻžāĻ‚āϞāĻž āĻāĻ•āĻžāĻĄā§‡āĻŽāĻŋāϤ⧇ āφāϝāĻŧā§‹āϜāĻŋāϤ āĻĻ⧁āχāĻĻāĻŋāύāĻŦā§āϝāĻžāĻĒāĻŋ ⧧⧝⧭⧧ : āĻŽā§āĻ•ā§āϤāĻŋāϝ⧁āĻĻā§āϧ, āĻ—āĻŖāĻšāĻ¤ā§āϝāĻž āĻ“ āĻŦāĻŋāĻļā§āĻŦ āĻļā§€āĻ°ā§āώāĻ• āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ• āϏ⧇āĻŽāĻŋāύāĻžāϰ⧇ ⧧⧝⧭⧧ āϏāĻžāϞ⧇ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āĻŽā§āĻ•ā§āϤāĻŋāϝ⧁āĻĻā§āϧ⧇ āĻ•āϞāĻ•āĻžāϤāĻžāϝāĻŧ āϏāĻŽā§āĻĒā§āϰ⧀āϤāĻŋ āĻ“ āϏāĻ‚āĻšāϤāĻŋāϰ āφāĻ¨ā§āĻĻā§‹āϞāύ āĻŦāĻŋāώāϝāĻŧ⧇ āĻŦāĻ•ā§āϤāĻŦā§āϝ āωāĻĒāĻ¸ā§āĻĨāĻžāĻĒāύ āĻ•āϰ⧇āύ āĻ­āĻžāϰāϤ⧇āϰ āϏāĻĒā§āϤāĻžāĻš āĻĒāĻ¤ā§āϰāĻŋāĻ•āĻžāϰ āϏāĻžāĻ‚āĻŦāĻžāĻĻāĻŋāĻ• āĻĻāĻŋāϞāĻŋāĻĒ āϚāĻ•ā§āϰāĻŦāĻ°ā§āϤ⧀āĨ¤

⧧⧝⧭⧧ : āĻŽā§āĻ•ā§āϤāĻŋāϝ⧁āĻĻā§āϧ, āĻ—āĻŖāĻšāĻ¤ā§āϝāĻž āĻ“ āĻŦāĻŋāĻļā§āĻŦ āĻļā§€āĻ°ā§āώāĻ• āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ• āϏ⧇āĻŽāĻŋāύāĻžāϰ ⧍ā§Ļā§§ā§Ž āĻ āĻļāĻŋāĻ˛ā§āĻĒā§€ āĻšāĻžāĻļ⧇āĻŽ āĻ–āĻžāύ

āĻ—āĻŖāĻšāĻ¤ā§āϝāĻž āύāĻŋāĻ°ā§āϝāĻžāϤāύ āφāĻ°ā§āĻ•āĻžāχāĻ­ āĻ“ āϜāĻžāĻĻ⧁āϘāϰ āφāϝāĻŧā§‹āϜāĻŋāϤ â€˜ā§§ā§¯ā§­ā§§: āĻŽā§āĻ•ā§āϤāĻŋāϝ⧁āĻĻā§āϧ, āĻ—āĻŖāĻšāĻ¤ā§āϝāĻž āĻ“ āĻŦāĻŋāĻļā§āĻŦ’ āĻŦāĻŋāώāϝāĻŧ⧇ āĻĻ⧁āχ āĻĻāĻŋāύ āĻŦā§āϝāĻžāĻĒā§€ āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ• āϏ⧇āĻŽāĻŋāύāĻžāϰ āĻāϰ āφāϝāĻŧā§‹āϜāύ āĻ•āϰ⧇āĨ¤ āωāĻ•ā§āϤ āϏ⧇āĻŽāĻŋāύāĻžāϰ⧇ āĻĻ⧇āĻļ āĻŦāĻŋāĻĻ⧇āĻļ⧇āϰ āĻŦāϰ⧇āĻŖā§āϝ āĻŦā§āϝāĻ•ā§āϤāĻŋāĻŦāĻ°ā§āĻ— āωāĻĒāĻ¸ā§āĻĨāĻŋāϤ āĻ›āĻŋāϞ⧇āύāĨ¤ ⧧⧝⧭⧧āσ āĻ—āĻŖāĻšāĻ¤ā§āϝāĻž-āύāĻŋāĻ°ā§āϝāĻžāϤāύ āφāĻ°ā§āĻ•āĻžāχāĻ­ āĻ“ āϜāĻžāĻĻ⧁āϘāϰ āĻŸā§āϰāĻžāĻˇā§āϟ āĻāϰ āϏāĻš-āϏāĻ­āĻžāĻĒāϤāĻŋ āĻ“ āĻĒā§āϰāĻ–ā§āϝāĻžāϤ āĻļāĻŋāĻ˛ā§āĻĒā§€ āĻšāĻžāĻļ⧇āĻŽ āĻ–āĻžāύ āϤāĻžāρāϰ āĻŽā§‚āĻ˛ā§āϝāĻŦāĻžāύ āĻŦāĻ•ā§āϤāĻŦā§āϝ āϰāĻžāϖ⧇āύ

Cambodia Mass Killing and Genocide in Comparison with Bangladesh Liberation War

Centre for Genocide-Torture and Liberation War Studies, a project of cultural affairs ministry, organised the two-day conference titled “1971: Liberation War, Genocide and the World” at Bangla Academy auditorium in Dhaka at 28-29 September 2018. Keo Doung was one of the International Essayist at the conference. His paper title was

A Century of Genocide: A Comparative and Global Perspective, 1904-2018 by Thijs B. Bouwknegt

Centre for Genocide-Torture and Liberation War Studies, a project of cultural affairs ministry, organised the two-day conference titled “1971: Liberation War, Genocide and the World” at Bangla Academy auditorium in Dhaka at 28-29 September 2018. Dr. Thijs B. Bouwknegt was one of the International Essayist at the conference. He is